"Spider-man: across the universes": a movie comic in the truest sense
The franchise "spider-Man" began its life in the sixties of the last century and for such a considerable period has grown seriously. If all began with the story of Peter…

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The success story of the Marvel cinematic universe and its impact on culture (part 1)
On Monday, April 29, in Russia started rolling the final picture in the current phase of the marvel cinematic universe- "Avengers: Final" (Avengers: Endgame). Marvel together with Disney went to…

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Game of thrones: Game over
Today (Moscow time, in fact, tomorrow) in the world rolling out the eighth and final season of the series "Game of thrones". Let's try to analyze the reason for such…

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Monthly Archives: April 2017

(Not)heroes: the story of a deconstructed superhero image in comic book adaptations

Marvel now many took out. More precisely, not even Marvel itself as such, but the dominance of their film comics. Film adaptations are full of stamps and even self-copying (I still laugh at how similar the plots of the third “Thor” and “Black Panther” are, and how much they differ in implementation), and the conveyor feed of content simply tired some viewers, and a trip to the cinema for a fan of comics turned from a holiday into a routine. But then deconstruction burst onto the stage of film adaptations again — and this time it appeared on time and in a big way.

Spoonful of history: the eighties was a difficult period for the comic book industry. Stories began to gradually move away from the riot of colors, irrepressible pathos and ultrapositive, deeper and stronger to consider social problems, to climb into politics, to criticize the existing system, through the prism of other, artificial worlds to tell what is happening in the real world, exaggerating events and their outcomes. Continue reading

«Once… in Hollywood”: he did it again

“He did it again, “the guy behind me said with some undisguised admiration, as soon as” Once… in Hollywood” (Once Upon A Time In Hollywood) ended and went to credits. And at first I really wanted to agree with him. But all -??? in this movie Tarantino not simply showed the, that knew how before, but and something new.

There is a genre of “slice of life”in online fiction. It is usually translated into Russian as “everyday” — and it is best suited to describe what is happening in “Hollywood”. For two and a half hours, the viewer is simply shown a few days from the life of the characters of the picture, without giving, it would seem, any specific tie, which will eventually unfold in the final. And something in it subtly resembles “Pulp fiction” – although the films are far from each other, as Shanghai from Larnaca.Rick Dalton, a fading Hollywood star played by Leonardo DiCaprio, is trying to cope with his fading situation. Continue reading

"The first player to get ready": from geeks, about geeks, for geeks
Steven Spielberg rarely makes movies lately. But it seems as if the project" the First player to prepare " (Ready Player One) was created for him. It is an action-adventure,…

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Watch and dance: the top seven movies about dancing
"Dance is almost a Declaration of love," Dostoevsky said. "Cinema should make the viewer forget that he is sitting in the cinema," Polanski repeated. Movies about dancing or dancing in…

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Scary evil: eight charismatic maniacs from the world of cinema (part 2)
7. Maniac (Bloody harvest/FR. Haute tension, France, 2003) French Thriller directed by Alexander Azhe ("Mirrors", "the hills have eyes") in our collection — a kind of delicacy before dessert... This…

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(Not)heroes: the story of a deconstructed superhero image in comic book adaptations
Marvel now many took out. More precisely, not even Marvel itself as such, but the dominance of their film comics. Film adaptations are full of stamps and even self-copying (I…

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