Short on the main thing: five mini-series that you can watch in one day
2018 gave a lot of good projects mini-format, and we have selected for you the best of the best. The list includes the premieres of the outgoing year, which appealed…

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"Rocketman": rock ' n ' roll trip through the corridors of someone else's soul
It seems that the era of musical biopics is beginning again in the film industry. But" Rocketman " (Rocketman) has one huge difference from most of these pictures: the main…

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From the bird to make an elephant and inflate to the size of the globe
"You can't put a loaded gun on the stage if no one means to shoot it. Can't promise anything."/A. P. Chekhov. A teenage girl who requires everyone to call herself"Lady…

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Monthly Archives: April 2017

(Not)heroes: the story of a deconstructed superhero image in comic book adaptations

Marvel now many took out. More precisely, not even Marvel itself as such, but the dominance of their film comics. Film adaptations are full of stamps and even self-copying (I still laugh at how similar the plots of the third “Thor” and “Black Panther” are, and how much they differ in implementation), and the conveyor feed of content simply tired some viewers, and a trip to the cinema for a fan of comics turned from a holiday into a routine. But then deconstruction burst onto the stage of film adaptations again — and this time it appeared on time and in a big way.

Spoonful of history: the eighties was a difficult period for the comic book industry. Stories began to gradually move away from the riot of colors, irrepressible pathos and ultrapositive, deeper and stronger to consider social problems, to climb into politics, to criticize the existing system, through the prism of other, artificial worlds to tell what is happening in the real world, exaggerating events and their outcomes. Continue reading

«Once… in Hollywood”: he did it again

“He did it again, “the guy behind me said with some undisguised admiration, as soon as” Once… in Hollywood” (Once Upon A Time In Hollywood) ended and went to credits. And at first I really wanted to agree with him. But all -??? in this movie Tarantino not simply showed the, that knew how before, but and something new.

There is a genre of “slice of life”in online fiction. It is usually translated into Russian as “everyday” — and it is best suited to describe what is happening in “Hollywood”. For two and a half hours, the viewer is simply shown a few days from the life of the characters of the picture, without giving, it would seem, any specific tie, which will eventually unfold in the final. And something in it subtly resembles “Pulp fiction” – although the films are far from each other, as Shanghai from Larnaca.Rick Dalton, a fading Hollywood star played by Leonardo DiCaprio, is trying to cope with his fading situation. Continue reading

"Men in black: international": spin-off without a spark
The first "Men in black", released in 1997, was very successful. And even in those years, success spawned sequels. The second and third films were not so good, and now,…

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«Once... in Hollywood": he did it again
"He did it again, "the guy behind me said with some undisguised admiration, as soon as" Once... in Hollywood" (Once Upon A Time In Hollywood) ended and went to credits.…

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The ghoulish seven: top scariest movies of the 2000s (part 1)
Have you ever wondered about the reason for such a wide popularity of the horror genre? Is it normal to watch people suffer on the screen? Well, it depends what…

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"Mandy": and one in the field warrior
It is not necessary to Wake a sleeping bear, know all the inhabitants of the forest and hunters. And that not to Wake Nicolas cage should have been learned by…

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