"Ralph vs. the Internet": deep thoughts in a child's wrapper
Animation has long ceased to be a genre for children. Hundreds of threads on forums are devoted to search of various Easter eggs and references to the real world and…

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From the bird to make an elephant and inflate to the size of the globe
"You can't put a loaded gun on the stage if no one means to shoot it. Can't promise anything."/A. P. Chekhov. A teenage girl who requires everyone to call herself"Lady…

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«Once... in Hollywood": he did it again
"He did it again, "the guy behind me said with some undisguised admiration, as soon as" Once... in Hollywood" (Once Upon A Time In Hollywood) ended and went to credits.…

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Monthly Archives: April 2017

(Not)heroes: the story of a deconstructed superhero image in comic book adaptations

Marvel now many took out. More precisely, not even Marvel itself as such, but the dominance of their film comics. Film adaptations are full of stamps and even self-copying (I still laugh at how similar the plots of the third “Thor” and “Black Panther” are, and how much they differ in implementation), and the conveyor feed of content simply tired some viewers, and a trip to the cinema for a fan of comics turned from a holiday into a routine. But then deconstruction burst onto the stage of film adaptations again — and this time it appeared on time and in a big way.

Spoonful of history: the eighties was a difficult period for the comic book industry. Stories began to gradually move away from the riot of colors, irrepressible pathos and ultrapositive, deeper and stronger to consider social problems, to climb into politics, to criticize the existing system, through the prism of other, artificial worlds to tell what is happening in the real world, exaggerating events and their outcomes. Continue reading

«Once… in Hollywood”: he did it again

“He did it again, “the guy behind me said with some undisguised admiration, as soon as” Once… in Hollywood” (Once Upon A Time In Hollywood) ended and went to credits. And at first I really wanted to agree with him. But all -??? in this movie Tarantino not simply showed the, that knew how before, but and something new.

There is a genre of “slice of life”in online fiction. It is usually translated into Russian as “everyday” — and it is best suited to describe what is happening in “Hollywood”. For two and a half hours, the viewer is simply shown a few days from the life of the characters of the picture, without giving, it would seem, any specific tie, which will eventually unfold in the final. And something in it subtly resembles “Pulp fiction” – although the films are far from each other, as Shanghai from Larnaca.Rick Dalton, a fading Hollywood star played by Leonardo DiCaprio, is trying to cope with his fading situation. Continue reading

"Fantastic beasts: the crimes of green de walda": the darkness of heartache
What certainly expects the viewer, going to the film on the universe of "Harry Potter"? Most likely, the feeling of magic, tales — sometimes naive, sometimes harsh, sometimes too close…

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The ghoulish seven: top scariest movies of the 2000s (part 2)
5. "Horror Amityville" (The Amityville Horror, 2005) And another bright representative of the genre in 2005 — "Horror Amityville". We finally got to the spirits and demons. And again, a…

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"Lion king": digital " in the animal world»
It feels like Disney decided to reshoot its entire catalog. Well, maybe someday they will get to "El Dorado", "Atlantis" or "treasure Planet" , but for now they are releasing…

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