Monthly Archives: January 2018
Authors, artists and other creators regularly come up with a variety of ends of the world for our world, describe in detail the worlds that grow out of the ashes of a nuclear war or some major cataclysm. Each Apocalypse is different details, but all scenarios are similar in one thing: people do not change and still crave power, strength and power, despite the mistakes of the past. In the film “Chronicles of predatory cities” (Mortal Engines) also shows this story.
The basis for the film was a series of books by Philip Reeve-teenage adventure novels. And the first film almost completely illustrates the events described in the first book, slightly changing the details, removing most of the clumsy teardrop moments, but generously scattering epicness. Continue reading
Ever wondered what makes a horror soundtrack truly great? First, there is the ever-present tension-mostly between seemingly simple melodies and the ominous sounds that gradually supplant them. Secondly, the abundance of esoteric instruments (the theremin has never sounded so convincing). The clumsy sound is the basis of most tracks. Derived from these chords the whole song is not so easy — perhaps that is why so many “raw” soundtracks to horror films. Fortunately, none of them are on this list.
The concept of lightness and ambiguity plays an important role here. Do you know that feeling that something is wrong? The very best horror movie soundtracks do it in an unusually subtle, slow, gradual way, moving away from your sense of security. Many melodies fade, being separated from their film, or at least lose the effect of their impact. Continue reading