(Not)heroes: the story of a deconstructed superhero image in comic book adaptations
Marvel now many took out. More precisely, not even Marvel itself as such, but the dominance of their film comics. Film adaptations are full of stamps and even self-copying (I…

Continue reading →

beauty
"Favorite" Yorgos Lanthimos: rabbits, chocolate cakes and other" weaknesses " of Queen Anne
This week in the Russian hire came "Favorite" (The favorite) Yorgos Lanthimos. The film for Lantimosa highly ambiguous and not so pretentious as "Murder of sacred deer" or "Lobster" -…

Continue reading →

"MiG": 25 meters.
At the box office, a fantastic Thriller with a concise title " Meg " joint American-Chinese production. Declared in the list of the hottest new films of the summer season,…

Continue reading →

noughties

Short on the main thing: five mini-series that you can watch in one day

2018 gave a lot of good projects mini-format, and we have selected for you the best of the best. The list includes the premieres of the outgoing year, which appealed to us, critics and viewers around the world: from the nominees for the “Golden globe” to those who are almost unknown to us. One season, ten episodes at most, and a lifetime of events.

Patrick Melrose (Patrick Melrose)5 series, 60 minutesimdb: 8.2 drug Addict, alcoholic, psychopath and just handsome Patrick Melrose (Benedict Cumberbatch) learns about the death of his father. To celebrate, he is going to permanently get off drugs, but there it was. To erase the nightmarish memories of his childhood, Melrose Jr. drinks, sniffs, swallows, stabs and harasses others .The series doesn’t drive hunter Thompson’s books (“Fear and loathing in Las Vegas”) or Danny Boyle’s movies (“on the needle”) as it might seem at first glance. Bad trip is a completely different kind of hero: traveling through the mazes of memory, Melrose goes a long way of accepting himself. Continue reading

(Not)heroes: the story of a deconstructed superhero image in comic book adaptations

Marvel now many took out. More precisely, not even Marvel itself as such, but the dominance of their film comics. Film adaptations are full of stamps and even self-copying (I still laugh at how similar the plots of the third “Thor” and “Black Panther” are, and how much they differ in implementation), and the conveyor feed of content simply tired some viewers, and a trip to the cinema for a fan of comics turned from a holiday into a routine. But then deconstruction burst onto the stage of film adaptations again — and this time it appeared on time and in a big way.

Spoonful of history: the eighties was a difficult period for the comic book industry. Stories began to gradually move away from the riot of colors, irrepressible pathos and ultrapositive, deeper and stronger to consider social problems, to climb into politics, to criticize the existing system, through the prism of other, artificial worlds to tell what is happening in the real world, exaggerating events and their outcomes. Continue reading

The success story of the Marvel cinematic universe and its impact on culture (part 2)
"Dr. Strange" raised important questions of belief in oneself and in the world, questions of perception of reality and how it can be influenced. It is impossible to leave aside…

...

"Fantastic beasts: the crimes of green de walda": the darkness of heartache
What certainly expects the viewer, going to the film on the universe of "Harry Potter"? Most likely, the feeling of magic, tales — sometimes naive, sometimes harsh, sometimes too close…

...

Dreams come true: 10 films about the Christmas miracle
New year is a time when dreams come true, and it does not matter whether you live on 3rd street Builders or Fifth Avenue. We have compiled for you a…

...