The ghoulish seven: top scariest movies of the 2000s (part 2)
5. "Horror Amityville" (The Amityville Horror, 2005) And another bright representative of the genre in 2005 — "Horror Amityville". We finally got to the spirits and demons. And again, a…

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beauty
"Mandy": and one in the field warrior
It is not necessary to Wake a sleeping bear, know all the inhabitants of the forest and hunters. And that not to Wake Nicolas cage should have been learned by…

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"Favorite" Yorgos Lanthimos: rabbits, chocolate cakes and other" weaknesses " of Queen Anne
This week in the Russian hire came "Favorite" (The favorite) Yorgos Lanthimos. The film for Lantimosa highly ambiguous and not so pretentious as "Murder of sacred deer" or "Lobster" -…

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pleasure

“Venom”: back in the nineties

The genre of motion picture comics continues to gain popularity, but in recent years it seems Marvel and its disney stories have virtually become monopolists in this market. Yes, DC is slowly winning back a place in the sun among the series, but in full meter with the marvel pipeline, it seems, there is little that can be compared. And the Sony company, having thought strategically, tries to join this conveyor, for a start – by means of “venom”(“Venom”).

A long time ago, Sony bought Marvel rights to everything related to “spider-Man” as a character, including the villains who got in his way. One of these villains (although it is more correct to call him an antihero) was venom-symbiote, which even lit up in the last “spider-Man” from Sam Raimi.Bearing in mind, apparently, the success of the brutal Fox releases – “Deadpool” and ” Logan — – Sony decided to bet on blood. However, still inscribed it in the framework of the rating PG-13, so as not to lose a profitable audience in the form of teenagers. Continue reading

The ghoulish seven: top scariest movies of the 2000s (part 1)
Have you ever wondered about the reason for such a wide popularity of the horror genre? Is it normal to watch people suffer on the screen? Well, it depends what…

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(Not)heroes: the story of a deconstructed superhero image in comic book adaptations
Marvel now many took out. More precisely, not even Marvel itself as such, but the dominance of their film comics. Film adaptations are full of stamps and even self-copying (I…

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(Not)heroes: the story of a deconstructed superhero image in comic book adaptations
Marvel now many took out. More precisely, not even Marvel itself as such, but the dominance of their film comics. Film adaptations are full of stamps and even self-copying (I…

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