The genre of motion picture comics continues to gain popularity, but in recent years it seems Marvel and its disney stories have virtually become monopolists in this market. Yes, DC is slowly winning back a place in the sun among the series, but in full meter with the marvel pipeline, it seems, there is little that can be compared. And the Sony company, having thought strategically, tries to join this conveyor, for a start – by means of “venom”(“Venom”).
A long time ago, Sony bought Marvel rights to everything related to “spider-Man” as a character, including the villains who got in his way. One of these villains (although it is more correct to call him an antihero) was venom-symbiote, which even lit up in the last “spider-Man” from Sam Raimi.Bearing in mind, apparently, the success of the brutal Fox releases – “Deadpool” and ” Logan — – Sony decided to bet on blood. However, still inscribed it in the framework of the rating PG-13, so as not to lose a profitable audience in the form of teenagers. Continue reading
The American television network Netflix has a reputation for several years as a supplier of valuable documentaries, including both bright Oscar-winning works and large-scale scientific studies of modern society. Believe me, they deserve your attention as much as “Aquaman”. Let’s go!
“Oh, The Internet! Dreams of the digital world ” Lo and Behold, Reveries of the Connected world Duration: 1 h 38 minkultovy German Director and screenwriter Werner Herzog succinctly and gradually told about one of the most important inventions of mankind-the world wide web. His story begins in the “Holy of holies” – the office of the University of California, where the world’s first Internet device 1969-armored “Communicator packages”, the size of a human growth.The Director himself is the main character and narrator, periodically enters into dialogue with figures such as Elon Musk and Bob Kahn. Continue reading
Video game movies are usually unlucky. The writers are struggling to connect what is happening in the games sur with the real world and real logic, because of what they have a complete mess. The creators of “Detective Pikachu” (Detective Pikachu) went the other way — they drew a completely new, almost detached from our world and did not try to cram into it the whole history of a huge franchise. And so they succeeded.
Everything in “Detective Pikachu”, except, perhaps, a couple of people and a few objects-digital, unreal, lovingly drawn by animators to the last hair, to the smallest scratch on the building. Most often, studios offer to put digital animals in a real environment, but in “Detective Pikachu” the environment was drawn for these very animals, placing people in it. Continue reading