"Fantastic beasts: the crimes of green de walda": the darkness of heartache
What certainly expects the viewer, going to the film on the universe of "Harry Potter"? Most likely, the feeling of magic, tales — sometimes naive, sometimes harsh, sometimes too close…

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The ghoulish seven: top scariest movies of the 2000s (part 1)
Have you ever wondered about the reason for such a wide popularity of the horror genre? Is it normal to watch people suffer on the screen? Well, it depends what…

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TV series "Chernobyl": peaceful atom in the service of the entertainment industry
Chamber mini-project for 5 episodes caused a real surge of spectator activity. There is talk of the decline of the serial era, "Chernobyl" has become a kind of small TV…

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photogenic

“Predator” 2018: it would all be funny if it wasn’t tasteless

September 13, “Predator” (the Predator) returned to the big screens. The film was directed by Shane black (Shane Black), who played one of the roles in the cult action film in 1987. We watched the sequel to the famous franchise and tried to understand what “Predator 2018″ has to do with the original, if at all.

Everyone knows the merits of the first two films of 1987 and 1990. Director John McTiernan turned a commando RAID into an ancient Greek tragedy in the midst of a green jungle hell, a March of the doomed. The second film gave way to the debut of” Predator ” commercially, but still Stephen Hopkins also managed to impress with the atmosphere of a sultry bloody summer in Los Angeles and the will to live of the protagonist. Further in the epic there came a time of timelessness when the former assistants of assistants on special effects pitted “Predator” with “Stranger”, and even charged to deal with a monster to the comic suffocator Adrian Brody. Continue reading

Scary evil: eight charismatic maniacs from the world of cinema (part 1)

We continue to develop the theme of horror, and this time we present a selection of the most intriguing psychopaths from the world of cinema from Hitchcock to the present day. Let’s go!

1. Norman Bates (Psycho / Psycho, the US, 1960)Unconditional classic-the film, binding to viewing all-all-all admirers genre. Surprisingly and naturally: the picture, shot more than half a century ago, and now is not much out of the context of modernity, and perhaps surpasses other “masterpieces” of our days.In “Psycho,” Hitchcock not only uses his signature techniques — a special style, shooting from the point of view of the character and fractional editing-but also introduces the world to the intelligent, pleasant at first glance, the owner of a roadside hotel Norman Bates (Anthony Perkins).By the way, the protagonist of the book of the same name is strikingly different from Hitchcock’s villain. Continue reading

"Fantastic beasts: the crimes of green de walda": the darkness of heartache
What certainly expects the viewer, going to the film on the universe of "Harry Potter"? Most likely, the feeling of magic, tales — sometimes naive, sometimes harsh, sometimes too close…

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"Draft": in this world, the book was spoiled
What book adaptations can be called successful? The first head of the average citizen is likely to be "Lord of the rings" "Hobbit" and "Harry Potter", more sophisticated remember, for…

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"The dead don't die": phlegmatic inevitability
Jim Jarmusch in General in love with zombies was not particularly noticed: Yes, he mentioned them in his previous creation, "only lovers will Survive", but few people expected a film…

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