17 music videos with the participation of film characters
Today we remember the glorious and, unfortunately, forgotten art form-music videos in the style of cinema. The 80s and 90s of the last century are magical times filled with music…

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TV series "Chernobyl": peaceful atom in the service of the entertainment industry
Chamber mini-project for 5 episodes caused a real surge of spectator activity. There is talk of the decline of the serial era, "Chernobyl" has become a kind of small TV…

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"The dead don't die": phlegmatic inevitability
Jim Jarmusch in General in love with zombies was not particularly noticed: Yes, he mentioned them in his previous creation, "only lovers will Survive", but few people expected a film…

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photogenic

“Predator” 2018: it would all be funny if it wasn’t tasteless

September 13, “Predator” (the Predator) returned to the big screens. The film was directed by Shane black (Shane Black), who played one of the roles in the cult action film in 1987. We watched the sequel to the famous franchise and tried to understand what “Predator 2018″ has to do with the original, if at all.

Everyone knows the merits of the first two films of 1987 and 1990. Director John McTiernan turned a commando RAID into an ancient Greek tragedy in the midst of a green jungle hell, a March of the doomed. The second film gave way to the debut of” Predator ” commercially, but still Stephen Hopkins also managed to impress with the atmosphere of a sultry bloody summer in Los Angeles and the will to live of the protagonist. Further in the epic there came a time of timelessness when the former assistants of assistants on special effects pitted “Predator” with “Stranger”, and even charged to deal with a monster to the comic suffocator Adrian Brody. Continue reading

Scary evil: eight charismatic maniacs from the world of cinema (part 1)

We continue to develop the theme of horror, and this time we present a selection of the most intriguing psychopaths from the world of cinema from Hitchcock to the present day. Let’s go!

1. Norman Bates (Psycho / Psycho, the US, 1960)Unconditional classic-the film, binding to viewing all-all-all admirers genre. Surprisingly and naturally: the picture, shot more than half a century ago, and now is not much out of the context of modernity, and perhaps surpasses other “masterpieces” of our days.In “Psycho,” Hitchcock not only uses his signature techniques — a special style, shooting from the point of view of the character and fractional editing-but also introduces the world to the intelligent, pleasant at first glance, the owner of a roadside hotel Norman Bates (Anthony Perkins).By the way, the protagonist of the book of the same name is strikingly different from Hitchcock’s villain. Continue reading

History of self-censorship in Hollywood (part 2)
Self-censorship didn't work. Therefore, in 1968, the MPAA rating system appeared. And the debate about it has not subsided until the threat of government censorship , together with the court…

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«Once... in Hollywood": he did it again
"He did it again, "the guy behind me said with some undisguised admiration, as soon as" Once... in Hollywood" (Once Upon A Time In Hollywood) ended and went to credits.…

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"Detective Pikachu": the highest quality digital fur
Video game movies are usually unlucky. The writers are struggling to connect what is happening in the games sur with the real world and real logic, because of what they…

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"Joker": there are no superheroes, and there are sick people
"The Joker" is perhaps the most caressed film festivals, the center of which is a comic book character. And it's understandable why: it doesn't look like a comic book movie.…

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