The success story of the Marvel cinematic universe and its impact on culture (part 2)
"Dr. Strange" raised important questions of belief in oneself and in the world, questions of perception of reality and how it can be influenced. It is impossible to leave aside…

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"Ralph vs. the Internet": deep thoughts in a child's wrapper
Animation has long ceased to be a genre for children. Hundreds of threads on forums are devoted to search of various Easter eggs and references to the real world and…

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"Isle of dogs": an adult tale in which dogs are more human than humans
At the box office, Isle of Dogs is the second animated film by Wes Anderson, a self-taught American independent film Director. Known for his individual artistic manner, which is characterized…

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preserving fragments

“Predator” 2018: it would all be funny if it wasn’t tasteless

September 13, “Predator” (the Predator) returned to the big screens. The film was directed by Shane black (Shane Black), who played one of the roles in the cult action film in 1987. We watched the sequel to the famous franchise and tried to understand what “Predator 2018″ has to do with the original, if at all.

Everyone knows the merits of the first two films of 1987 and 1990. Director John McTiernan turned a commando RAID into an ancient Greek tragedy in the midst of a green jungle hell, a March of the doomed. The second film gave way to the debut of” Predator ” commercially, but still Stephen Hopkins also managed to impress with the atmosphere of a sultry bloody summer in Los Angeles and the will to live of the protagonist. Further in the epic there came a time of timelessness when the former assistants of assistants on special effects pitted “Predator” with “Stranger”, and even charged to deal with a monster to the comic suffocator Adrian Brody. Continue reading

Scary evil: eight charismatic maniacs from the world of cinema (part 1)

We continue to develop the theme of horror, and this time we present a selection of the most intriguing psychopaths from the world of cinema from Hitchcock to the present day. Let’s go!

1. Norman Bates (Psycho / Psycho, the US, 1960)Unconditional classic-the film, binding to viewing all-all-all admirers genre. Surprisingly and naturally: the picture, shot more than half a century ago, and now is not much out of the context of modernity, and perhaps surpasses other “masterpieces” of our days.In “Psycho,” Hitchcock not only uses his signature techniques — a special style, shooting from the point of view of the character and fractional editing-but also introduces the world to the intelligent, pleasant at first glance, the owner of a roadside hotel Norman Bates (Anthony Perkins).By the way, the protagonist of the book of the same name is strikingly different from Hitchcock’s villain. Continue reading

"Aquaman": good old illogical Thriller
The film industry loves to flirt with nostalgia. First of all, this feeling is focused on all sorts of sequels-prequels and other sidequels, clinging to the already famous franchise. But…

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"Chronicles of predatory cities": the triumph of the picture over the meaning
Authors, artists and other creators regularly come up with a variety of ends of the world for our world, describe in detail the worlds that grow out of the ashes…

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"Chronicles of predatory cities": the triumph of the picture over the meaning
Authors, artists and other creators regularly come up with a variety of ends of the world for our world, describe in detail the worlds that grow out of the ashes…

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"Joker": there are no superheroes, and there are sick people
"The Joker" is perhaps the most caressed film festivals, the center of which is a comic book character. And it's understandable why: it doesn't look like a comic book movie.…

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