(Not)heroes: the story of a deconstructed superhero image in comic book adaptations
Marvel now many took out. More precisely, not even Marvel itself as such, but the dominance of their film comics. Film adaptations are full of stamps and even self-copying (I…

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"Aquaman": good old illogical Thriller
The film industry loves to flirt with nostalgia. First of all, this feeling is focused on all sorts of sequels-prequels and other sidequels, clinging to the already famous franchise. But…

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"Mandy": and one in the field warrior
It is not necessary to Wake a sleeping bear, know all the inhabitants of the forest and hunters. And that not to Wake Nicolas cage should have been learned by…

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preserving fragments

“Predator” 2018: it would all be funny if it wasn’t tasteless

September 13, “Predator” (the Predator) returned to the big screens. The film was directed by Shane black (Shane Black), who played one of the roles in the cult action film in 1987. We watched the sequel to the famous franchise and tried to understand what “Predator 2018″ has to do with the original, if at all.

Everyone knows the merits of the first two films of 1987 and 1990. Director John McTiernan turned a commando RAID into an ancient Greek tragedy in the midst of a green jungle hell, a March of the doomed. The second film gave way to the debut of” Predator ” commercially, but still Stephen Hopkins also managed to impress with the atmosphere of a sultry bloody summer in Los Angeles and the will to live of the protagonist. Further in the epic there came a time of timelessness when the former assistants of assistants on special effects pitted “Predator” with “Stranger”, and even charged to deal with a monster to the comic suffocator Adrian Brody. Continue reading

Scary evil: eight charismatic maniacs from the world of cinema (part 1)

We continue to develop the theme of horror, and this time we present a selection of the most intriguing psychopaths from the world of cinema from Hitchcock to the present day. Let’s go!

1. Norman Bates (Psycho / Psycho, the US, 1960)Unconditional classic-the film, binding to viewing all-all-all admirers genre. Surprisingly and naturally: the picture, shot more than half a century ago, and now is not much out of the context of modernity, and perhaps surpasses other “masterpieces” of our days.In “Psycho,” Hitchcock not only uses his signature techniques — a special style, shooting from the point of view of the character and fractional editing-but also introduces the world to the intelligent, pleasant at first glance, the owner of a roadside hotel Norman Bates (Anthony Perkins).By the way, the protagonist of the book of the same name is strikingly different from Hitchcock’s villain. Continue reading

"Rocketman": rock ' n ' roll trip through the corridors of someone else's soul
It seems that the era of musical biopics is beginning again in the film industry. But" Rocketman " (Rocketman) has one huge difference from most of these pictures: the main…

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From the bird to make an elephant and inflate to the size of the globe
"You can't put a loaded gun on the stage if no one means to shoot it. Can't promise anything."/A. P. Chekhov. A teenage girl who requires everyone to call herself"Lady…

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10 best and worst films about composers
Everything in this world has been covered in movies, and classical music is no exception. The personalities of many great composers aroused the interest of Directors, which is not surprising,…

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TV series "Chernobyl": peaceful atom in the service of the entertainment industry
Chamber mini-project for 5 episodes caused a real surge of spectator activity. There is talk of the decline of the serial era, "Chernobyl" has become a kind of small TV…

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