Scary evil: eight charismatic maniacs from the world of cinema (part 2)
7. Maniac (Bloody harvest/FR. Haute tension, France, 2003) French Thriller directed by Alexander Azhe ("Mirrors", "the hills have eyes") in our collection — a kind of delicacy before dessert... This…

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beauty
"Men in black: international": spin-off without a spark
The first "Men in black", released in 1997, was very successful. And even in those years, success spawned sequels. The second and third films were not so good, and now,…

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Kim Ki-Duk, high five! Top 5 films of the main humanist of Korean cinema
On December 20, 1960, the world-famous Director Kim Ki-Duk was born in Sobenni village (South Korea). The biography turned out to be motley: he left school as a 15-year-old teenager…

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preserving fragments

“Predator” 2018: it would all be funny if it wasn’t tasteless

September 13, “Predator” (the Predator) returned to the big screens. The film was directed by Shane black (Shane Black), who played one of the roles in the cult action film in 1987. We watched the sequel to the famous franchise and tried to understand what “Predator 2018″ has to do with the original, if at all.

Everyone knows the merits of the first two films of 1987 and 1990. Director John McTiernan turned a commando RAID into an ancient Greek tragedy in the midst of a green jungle hell, a March of the doomed. The second film gave way to the debut of” Predator ” commercially, but still Stephen Hopkins also managed to impress with the atmosphere of a sultry bloody summer in Los Angeles and the will to live of the protagonist. Further in the epic there came a time of timelessness when the former assistants of assistants on special effects pitted “Predator” with “Stranger”, and even charged to deal with a monster to the comic suffocator Adrian Brody. Continue reading

Scary evil: eight charismatic maniacs from the world of cinema (part 1)

We continue to develop the theme of horror, and this time we present a selection of the most intriguing psychopaths from the world of cinema from Hitchcock to the present day. Let’s go!

1. Norman Bates (Psycho / Psycho, the US, 1960)Unconditional classic-the film, binding to viewing all-all-all admirers genre. Surprisingly and naturally: the picture, shot more than half a century ago, and now is not much out of the context of modernity, and perhaps surpasses other “masterpieces” of our days.In “Psycho,” Hitchcock not only uses his signature techniques — a special style, shooting from the point of view of the character and fractional editing-but also introduces the world to the intelligent, pleasant at first glance, the owner of a roadside hotel Norman Bates (Anthony Perkins).By the way, the protagonist of the book of the same name is strikingly different from Hitchcock’s villain. Continue reading

"Chronicles of predatory cities": the triumph of the picture over the meaning
Authors, artists and other creators regularly come up with a variety of ends of the world for our world, describe in detail the worlds that grow out of the ashes…

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"Detective Pikachu": the highest quality digital fur
Video game movies are usually unlucky. The writers are struggling to connect what is happening in the games sur with the real world and real logic, because of what they…

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"Quiet place": hush, mice, cat on the roof
"A quiet place" (a Quiet Place) - a new film is not yet very famous in our area Director John Krasinski next week in the Russian box office. The film…

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