"The dead don't die": phlegmatic inevitability
Jim Jarmusch in General in love with zombies was not particularly noticed: Yes, he mentioned them in his previous creation, "only lovers will Survive", but few people expected a film…

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The ghoulish seven: top scariest movies of the 2000s (part 2)
5. "Horror Amityville" (The Amityville Horror, 2005) And another bright representative of the genre in 2005 — "Horror Amityville". We finally got to the spirits and demons. And again, a…

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"Predator" 2018: it would all be funny if it wasn't tasteless
September 13, "Predator" (the Predator) returned to the big screens. The film was directed by Shane black (Shane Black), who played one of the roles in the cult action film…

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visible connection

History of self-censorship in Hollywood (part 2)

Self-censorship didn’t work. Therefore, in 1968, the MPAA rating system appeared. And the debate about it has not subsided until the threat of government censorship , together with the court decisions in the cases “Interstate Circuit V. Dallas” and “Ginsberg V. New York”, both of which considered instructions to censor inappropriate content on an urban scale, spurred Hollywood to take any action in the days of the decline of the code of self-censorship. The former MMPDA, which became the MPAA in 1945, began working on the plan.The most important decision made by the organization under the leadership of President Jack Valenti is the change of self-censorship to self-classification in the format of the rating system. The system, launched in 1968, was the progenitor of the one we are working with now. Continue reading

(Not)heroes: the story of a deconstructed superhero image in comic book adaptations
Marvel now many took out. More precisely, not even Marvel itself as such, but the dominance of their film comics. Film adaptations are full of stamps and even self-copying (I…

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"Deadpool 2": more action, more characters and more drama
Than in its time shot the first "Deadpool"? Graphic cruelty, jokes on the verge of not that decency, but just common sense, an attempt to turn upside down typical for…

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(Not)heroes: the story of a deconstructed superhero image in comic book adaptations
Marvel now many took out. More precisely, not even Marvel itself as such, but the dominance of their film comics. Film adaptations are full of stamps and even self-copying (I…

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