“Deadpool 2”: more action, more characters and more drama
Than in its time shot the first “Deadpool”? Graphic cruelty, jokes on the verge of not that decency, but just common sense, an attempt to turn upside down typical for superhero films cliches and, importantly, the ability to cram it all into a low-budget shell without losing enthusiasm. Released this week, “Deadpool 2” (Deadpool 2) spent more money and slightly moved away from the original scheme.
There is no, with idiotic jokes in sequel full order, about this worry not worth. As soon as the character of Ryan Reynolds (and someone says that Reynolds and Deadpool merged into one, much like Robert Downey Jr. and Iron man) opens his mouth, you know-soon there will be some gag, ridiculing the modern film industry, a sarcastic reference to pop culture or simply linguistic or even political pun. Continue reading
History of self-censorship in Hollywood (part 2)
Self-censorship didn’t work. Therefore, in 1968, the MPAA rating system appeared. And the debate about it has not subsided until the threat of government censorship , together with the court decisions in the cases “Interstate Circuit V. Dallas” and “Ginsberg V. New York”, both of which considered instructions to censor inappropriate content on an urban scale, spurred Hollywood to take any action in the days of the decline of the code of self-censorship. The former MMPDA, which became the MPAA in 1945, began working on the plan.The most important decision made by the organization under the leadership of President Jack Valenti is the change of self-censorship to self-classification in the format of the rating system. The system, launched in 1968, was the progenitor of the one we are working with now. Continue reading