"Aquaman": good old illogical Thriller
The film industry loves to flirt with nostalgia. First of all, this feeling is focused on all sorts of sequels-prequels and other sidequels, clinging to the already famous franchise. But…

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beauty
"The dead don't die": phlegmatic inevitability
Jim Jarmusch in General in love with zombies was not particularly noticed: Yes, he mentioned them in his previous creation, "only lovers will Survive", but few people expected a film…

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"Favorite" Yorgos Lanthimos: rabbits, chocolate cakes and other" weaknesses " of Queen Anne
This week in the Russian hire came "Favorite" (The favorite) Yorgos Lanthimos. The film for Lantimosa highly ambiguous and not so pretentious as "Murder of sacred deer" or "Lobster" -…

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American criminology

“Aladdin”: this movie should be called ” Jasmine»

“Aladdin” (Aladdin), seems, was the only cartoon Golden era Disney, where the main, Central character history was not Princess, and its intended-and this even reflected in the title. But in the film adaptation of 2019, everything fell into place — despite the fact that the narrative is conducted on behalf of a thief who suddenly received a lamp with an Almighty Genie, the focus is on Jasmine.

The project at the stage of rumors and discussion seemed ambiguous — to entrust the children’s story to guy Ritchie, the main popularizer of British marginal romance? But if you think about it, the characters of” Aladdin ” perfectly fit into Richie’s worldview: Aladdin himself without a penny in his pocket eats stolen apples and robingudski shares hard-earned dates with starving kids, Jafar fights for power, Jasmine proves to the world that she is not what everyone sees her, and the Genie suffers from lack of freedom and sprinkles jokes right and left, in which wise advice periodically slips. Continue reading

Scary evil: eight charismatic maniacs from the world of cinema (part 1)

We continue to develop the theme of horror, and this time we present a selection of the most intriguing psychopaths from the world of cinema from Hitchcock to the present day. Let’s go!

1. Norman Bates (Psycho / Psycho, the US, 1960)Unconditional classic-the film, binding to viewing all-all-all admirers genre. Surprisingly and naturally: the picture, shot more than half a century ago, and now is not much out of the context of modernity, and perhaps surpasses other “masterpieces” of our days.In “Psycho,” Hitchcock not only uses his signature techniques — a special style, shooting from the point of view of the character and fractional editing-but also introduces the world to the intelligent, pleasant at first glance, the owner of a roadside hotel Norman Bates (Anthony Perkins).By the way, the protagonist of the book of the same name is strikingly different from Hitchcock’s villain. Continue reading

"MiG": 25 meters.
At the box office, a fantastic Thriller with a concise title " Meg " joint American-Chinese production. Declared in the list of the hottest new films of the summer season,…

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"Detective Pikachu": the highest quality digital fur
Video game movies are usually unlucky. The writers are struggling to connect what is happening in the games sur with the real world and real logic, because of what they…

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"Predator" 2018: it would all be funny if it wasn't tasteless
September 13, "Predator" (the Predator) returned to the big screens. The film was directed by Shane black (Shane Black), who played one of the roles in the cult action film…

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