(Not)heroes: the story of a deconstructed superhero image in comic book adaptations
Marvel now many took out. More precisely, not even Marvel itself as such, but the dominance of their film comics. Film adaptations are full of stamps and even self-copying (I…

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beauty
The success story of the Marvel cinematic universe and its impact on culture (part 1)
On Monday, April 29, in Russia started rolling the final picture in the current phase of the marvel cinematic universe- "Avengers: Final" (Avengers: Endgame). Marvel together with Disney went to…

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"Spider-man: across the universes": a movie comic in the truest sense
The franchise "spider-Man" began its life in the sixties of the last century and for such a considerable period has grown seriously. If all began with the story of Peter…

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American criminology

“Aladdin”: this movie should be called ” Jasmine»

“Aladdin” (Aladdin), seems, was the only cartoon Golden era Disney, where the main, Central character history was not Princess, and its intended-and this even reflected in the title. But in the film adaptation of 2019, everything fell into place — despite the fact that the narrative is conducted on behalf of a thief who suddenly received a lamp with an Almighty Genie, the focus is on Jasmine.

The project at the stage of rumors and discussion seemed ambiguous — to entrust the children’s story to guy Ritchie, the main popularizer of British marginal romance? But if you think about it, the characters of” Aladdin ” perfectly fit into Richie’s worldview: Aladdin himself without a penny in his pocket eats stolen apples and robingudski shares hard-earned dates with starving kids, Jafar fights for power, Jasmine proves to the world that she is not what everyone sees her, and the Genie suffers from lack of freedom and sprinkles jokes right and left, in which wise advice periodically slips. Continue reading

Scary evil: eight charismatic maniacs from the world of cinema (part 1)

We continue to develop the theme of horror, and this time we present a selection of the most intriguing psychopaths from the world of cinema from Hitchcock to the present day. Let’s go!

1. Norman Bates (Psycho / Psycho, the US, 1960)Unconditional classic-the film, binding to viewing all-all-all admirers genre. Surprisingly and naturally: the picture, shot more than half a century ago, and now is not much out of the context of modernity, and perhaps surpasses other “masterpieces” of our days.In “Psycho,” Hitchcock not only uses his signature techniques — a special style, shooting from the point of view of the character and fractional editing-but also introduces the world to the intelligent, pleasant at first glance, the owner of a roadside hotel Norman Bates (Anthony Perkins).By the way, the protagonist of the book of the same name is strikingly different from Hitchcock’s villain. Continue reading

Horror movie man: remastered and dubbed
How much anxiety audiophiles delivers the difference in sound of the two records, while literally next to the movie tracks there is a Texas chainsaw massacre. Discuss? Mastering of the…

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"Alita: battle angel": the cutest cyberpunk
Cyberpunk, like, by definition, can not be cute: the world in which high tech is combined with low life, most often shown in the dark and damp, highlighting objects with…

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"The first player to get ready": from geeks, about geeks, for geeks
Steven Spielberg rarely makes movies lately. But it seems as if the project" the First player to prepare " (Ready Player One) was created for him. It is an action-adventure,…

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