“Aladdin”: this movie should be called ” Jasmine»
“Aladdin” (Aladdin), seems, was the only cartoon Golden era Disney, where the main, Central character history was not Princess, and its intended-and this even reflected in the title. But in the film adaptation of 2019, everything fell into place — despite the fact that the narrative is conducted on behalf of a thief who suddenly received a lamp with an Almighty Genie, the focus is on Jasmine.
The project at the stage of rumors and discussion seemed ambiguous — to entrust the children’s story to guy Ritchie, the main popularizer of British marginal romance? But if you think about it, the characters of” Aladdin ” perfectly fit into Richie’s worldview: Aladdin himself without a penny in his pocket eats stolen apples and robingudski shares hard-earned dates with starving kids, Jafar fights for power, Jasmine proves to the world that she is not what everyone sees her, and the Genie suffers from lack of freedom and sprinkles jokes right and left, in which wise advice periodically slips. Continue reading
Scary evil: eight charismatic maniacs from the world of cinema (part 1)
We continue to develop the theme of horror, and this time we present a selection of the most intriguing psychopaths from the world of cinema from Hitchcock to the present day. Let’s go!
1. Norman Bates (Psycho / Psycho, the US, 1960)Unconditional classic-the film, binding to viewing all-all-all admirers genre. Surprisingly and naturally: the picture, shot more than half a century ago, and now is not much out of the context of modernity, and perhaps surpasses other “masterpieces” of our days.In “Psycho,” Hitchcock not only uses his signature techniques — a special style, shooting from the point of view of the character and fractional editing-but also introduces the world to the intelligent, pleasant at first glance, the owner of a roadside hotel Norman Bates (Anthony Perkins).By the way, the protagonist of the book of the same name is strikingly different from Hitchcock’s villain. Continue reading