Entertainment industry

History of self-censorship in Hollywood (part 1)
Censorship is a familiar word for everyone who grew up in the former Soviet republics. It is feared, it is hated, it is reproached, but one of the most terrible…

Continue reading →

beauty
Scary evil: eight charismatic maniacs from the world of cinema (part 1)
We continue to develop the theme of horror, and this time we present a selection of the most intriguing psychopaths from the world of cinema from Hitchcock to the present…

Continue reading →

"Favorite" Yorgos Lanthimos: rabbits, chocolate cakes and other" weaknesses " of Queen Anne
This week in the Russian hire came "Favorite" (The favorite) Yorgos Lanthimos. The film for Lantimosa highly ambiguous and not so pretentious as "Murder of sacred deer" or "Lobster" -…

Continue reading →

History of self-censorship in Hollywood (part 2)

Self-censorship didn’t work. Therefore, in 1968, the MPAA rating system appeared. And the debate about it has not subsided until the threat of government censorship , together with the court decisions in the cases “Interstate Circuit V. Dallas” and “Ginsberg V. New York”, both of which considered instructions to censor inappropriate content on an urban scale, spurred Hollywood to take any action in the days of the decline of the code of self-censorship. The former MMPDA, which became the MPAA in 1945, began working on the plan.The most important decision made by the organization under the leadership of President Jack Valenti is the change of self-censorship to self-classification in the format of the rating system. The system, launched in 1968, was the progenitor of the one we are working with now. Continue reading

History of self-censorship in Hollywood (part 1)

Censorship is a familiar word for everyone who grew up in the former Soviet republics. It is feared, it is hated, it is reproached, but one of the most terrible of its options is considered self-censorship: when someone seeks to lay straw to fall was soft, or simply eliminates the fall, cutting out a piece of content, sending it for revision or completely letting it on the territory of Russia and neighboring countries, fearing the wrath of the government. However, not only our States suffer from such arbitrariness and such fear. A piece from our colleagues at Vox tells the story of self-censorship in Hollywood — and we’ve translated it for you. Continue reading

(Not)heroes: the story of a deconstructed superhero image in comic book adaptations

Marvel now many took out. More precisely, not even Marvel itself as such, but the dominance of their film comics. Film adaptations are full of stamps and even self-copying (I still laugh at how similar the plots of the third “Thor” and “Black Panther” are, and how much they differ in implementation), and the conveyor feed of content simply tired some viewers, and a trip to the cinema for a fan of comics turned from a holiday into a routine. But then deconstruction burst onto the stage of film adaptations again — and this time it appeared on time and in a big way.

Spoonful of history: the eighties was a difficult period for the comic book industry. Stories began to gradually move away from the riot of colors, irrepressible pathos and ultrapositive, deeper and stronger to consider social problems, to climb into politics, to criticize the existing system, through the prism of other, artificial worlds to tell what is happening in the real world, exaggerating events and their outcomes. Continue reading

«Once… in Hollywood”: he did it again

“He did it again, “the guy behind me said with some undisguised admiration, as soon as” Once… in Hollywood” (Once Upon A Time In Hollywood) ended and went to credits. And at first I really wanted to agree with him. But all -??? in this movie Tarantino not simply showed the, that knew how before, but and something new.

There is a genre of “slice of life”in online fiction. It is usually translated into Russian as “everyday” — and it is best suited to describe what is happening in “Hollywood”. For two and a half hours, the viewer is simply shown a few days from the life of the characters of the picture, without giving, it would seem, any specific tie, which will eventually unfold in the final. And something in it subtly resembles “Pulp fiction” – although the films are far from each other, as Shanghai from Larnaca.Rick Dalton, a fading Hollywood star played by Leonardo DiCaprio, is trying to cope with his fading situation. Continue reading

“The dead don’t die”: phlegmatic inevitability

Jim Jarmusch in General in love with zombies was not particularly noticed: Yes, he mentioned them in his previous creation, “only lovers will Survive”, but few people expected a film in the genre of zombie horror from him. As a result, zombie horror, however, did not work: “the Dead do not die” (The Dead Don’t Die) is a viscous, melancholic story with a handful of humor and sad morality, which tries to laugh at the declared genre.

The plot is familiar: there was a global Apocalypse, the world began to change and the dead climbed out of the ground. And the viewer is shown how a tiny American town with a population of just over 700 people copes with such an invasion. Continue reading

Netflix's best documentaries: untold stories
The American television network Netflix has a reputation for several years as a supplier of valuable documentaries, including both bright Oscar-winning works and large-scale scientific studies of modern society. Believe…

...

Horror movie man: remastered and dubbed
How much anxiety audiophiles delivers the difference in sound of the two records, while literally next to the movie tracks there is a Texas chainsaw massacre. Discuss? Mastering of the…

...

The ghoulish seven: top scariest movies of the 2000s (part 1)
Have you ever wondered about the reason for such a wide popularity of the horror genre? Is it normal to watch people suffer on the screen? Well, it depends what…

...